The Mobius Artists Group is an interdisciplinary group of artists, founded in 1977 by Marilyn Arsem in Boston, Massachusetts as Mobius Theater. It is known for incorporating a wide range of visual, performing and media arts into live performance, video, installation and intermedia works. The members of the group create projects individually and in collaboration with members of the group and other artists.

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Ericka Beckman is an artist and filmmaker, living and working in New York and Boston.  She is known for her experimental films and film installations that use performance, sound and animation to deal with capitalism, game structures, architecture and feminism.

Her work is in the collections of The Whitney Museum of American Art; The Metropolitan Museum of Art; The Museum of Modern Art; The Walker Art Center; The Broad Museum; The High Museum; The Zabludowicz Collection; Le Centre de Georges Pompidou; The British Film Institute; MAMCO, Geneva Switzerland; Espoo Museum of Modern Art, Finland; The Collection of Peter and Jill Kraus; the Stiftung Kunsthalle Bern and Anthology Film Archives.

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Double Edge Theatre, an artist-run organization, was founded in 1982 by Stacy Klein. The company applies vigorous physical training and the principle of an artist’s autonomy to create work in an ensemble setting intimately woven with the community. Double Edge’s name in part comes from the double-edged axe known as the labrys, which was used in Bacchic sacrifices in ancient Greek cult-worship. Double Edge’s first production, Rites, was based on Euripides’s The Bacchae.

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Melissa Hilliard Potter is a feminist interdisciplinary artist, writer, and curator whose work has been exhibited in venues and film festivals internationally. Melissa has been the recipient of three Fulbright Scholar awards to Serbia and Bosnia and Hercegovina, as well as funding from CEC ArtsLink, Trust for Mutual Understanding, and Soros Fund for Arts and Culture. As a curator, her exhibitions include “Social Paper: Hand Papermaking in the Context of Socially Engaged Art” with Jessica Cochran and “Revolution at Point Zero: Feminist Social Practice” with Neysa Page Lieberman. Her critical essays have been printed in BOMB, Art Papers, Flash Art, and AfterImage among others. Melissa is a Professor at Columbia College Chicago.

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